As a self-professed sun worshiper and art lover, nothing beats a trip to Arizona to soak up the desert heat and check out the cultural landscape. After a morning basking by the pool, it’s time to head indoors to cool off with cool things at the Phoenix Art Museum.
Considered to be the largest visual arts institution in the American Southwest, the Phoenix Art Museum boasts more than 18,000 items in its permanent collection and annually welcomes a wide array of temporary international exhibits.
In addition to American and Western American holdings, the museum’s collection includes Asian, European and Latin American pieces. There are also galleries dedicated to modern and contemporary art, photography and fashion, interior design and architecture, as well as exterior sculptural installments.
On the museum grounds, one piece that appeals to both young and old is Jurassic Age by Chinese artist Sui Jianguo who used bronze, steel and bright red industrial paint to create his contemporary work. Modern and contemporary sculptures can also be found in the museum’s inner courtyard area. If you can handle the desert heat, it’s worth working up a sweat to stroll around the grounds and courtyard to check out the fun and funky sculptures.
From Native American sculptures to portraits of the founding fathers, the museum’s collection of Western American and American pieces is extensive and showcases works from the 18th century to emerging artists of today.
Be it the strong pose of Awéaté by Louis-Philippe Hébert; the stoic grace of George Washington by Gilbert Stuart, or the serene sacredness of Offerings to the Little People by Howard A. Terpning, the many wonders of America’s past are brought to life in the Western and American galleries. Landscapes of the west’s rugged terrain and other paintings depicting common day-to-day activities provide additional insights into what life was like in the new frontier.
The Art of Asia gallery is comprised of artifacts from Far East countries such as Tibet, Nepal, India, China, Japan, Sri Lanka and Java.
Samurai armour and saddles, reclining Buddhas, and silkscreens and calligraphy panels are just a few of the exotic works in the museum’s diverse Asian collection.
Due to the delicate nature of items such as scrolls, prints and textiles, this gallery is regularly changed out to prevent over-exposure to light.
The glitz and glamour of the land across the pond are the focus of the European gallery that showcases over 1,200 paintings and sculptures created between the 14th and 19th centuries.
Prominent artists from the Renaissance and Baroque to Impressionism eras are represented and include Barbieri, Boucher, Corot, Delacroix, Monet and Rodin.
Fans of doll house furniture and architectural design will appreciate the series of delightfully intricate miniature interiors on display in the Thorne Rooms.
Named in honor of American artist Narcissa Niblack Thorne, there are 20 rooms in total and all of the items come from her vast personal collection of miniatures. Rather than storing her treasures away in her home, Thorne was keen to share them with the public and came up with the idea to create historical interiors from Europe, Asia and North America dating from the late 13th to the early 20th century.
Thorne was known for her incredible attention to every last detail and her exacting scale of one inch to one foot used for her miniature creations. Many of her rooms are based on actual interiors of upper-class homes in the United States and Europe; while others are interpretations of what would have been in vogue according to the time period and country the rooms represented. In some rooms, Thorne had custom floor rugs made to add to the authentic look and feel.
The Thorne Rooms are definitely one of the coolest and classiest parts of the Phoenix Art Museum.
Walking into the Contemporary Art gallery, one of the first pieces on view is Nude Man by Viola Frey who was famous for her larger-than-life colorful ceramic figures. The kitschy and kooky nature of Frey’s work sets the stage for more visual treats to come. Be prepared to see everything from LED installations, to steel and fiberglass trees, to painted aluminum and acrylics. There are also numerous abstract canvases from the likes of Andy Warhol, Hans Hofmann, Karel Appel and Josef Albers.
With its sprawling 65,000 square-foot plaza, soaring 162-foot tower, and striking glass-enclosed double pyramid main entrance, the power of the Rock & Roll Hall of Fame (Rock Hall) building is palpable. Add in its prime lakefront location along Cleveland’s North Coast Harbor and its photo-opp LONG LIVE ROCK anthem sign, the exterior impression is nothing short of pulsating! Rest assured, the energy continues to surge from the moment you head inside and begin exploring the Rock Hall from the ground up.
Named for the Rock Hall’s founder and former chairman of Atlantic Records, the Ahmet Ertegun Main Exhibit Hall sets the stage for a truly rockin’ experience ahead. The spirit of rock and roll is alive and well as you stroll through the galleries and admire vivid imagery, colorful anecdotes and priceless memorabilia.
By the way, it should be noted here that three of the primary reasons why the Rock Hall is based in Cleveland is because of the city’s history with rock music. Firstly, a local disc jockey, Alan Freed, coined the term “rock and roll” back in the early 1950s. Secondly, the first rock concert was staged at the Cleveland Arena in 1952 as part of a live dance event called the Moondog Coronation Ball. Thirdly, “The Buzzard” radio station (WMMS) launched the careers of David Bowie, Bruce Springsteen and the E Street Band, Roxy Music, Rush and many others in the 1970s and 1980s.
The evolution of the rock genre is the focus of the Stewart Gallery: The Roots of Rock that explores the influence of blues, gospel, R&B, country, bluegrass and folk music on emerging artists in the late 1940s/early 1950s.
In the Cities and Sounds gallery, cities such as Memphis, Detroit, Liverpool, San Francisco, Los Angeles, New York, London, and Seattle are showcased for their contributions to the ongoing development of rock music over the decades. The exhibits feature major musical eras such as Motown, the British Invasion, Punk and Grunge; provide an overview of key dates and historical facts; and display time-period specific instruments, stage costumes, album covers, promotional materials and a host of other noteworthy artifacts.
Fittingly, the indisputable “King of Rock and Roll” is honored in the Elvis gallery that details his full life story. Fans of the The King will appreciate the breadth of paraphernalia on display such as a custom jukebox, guitar and automobile. From his early days as an unknown artist in Memphis, to his stint in the US Army, to his Hollywood B Movie fame, to his Aloha from Hawaii Via Satellite concert that aired around the world in 1973, the gallery definitely captures the highs and lows of The King’s all too short existence.
In the Legends of Rock and Roll gallery, personal items belonging to Diana Ross and the Supremes, the Beatles, Michael Jackson, Steven Tyler and Aerosmith, Debbie Harry and Blondie, among other famous acts are front and center. The gallery’s purpose is to highlight everything from the visual spectacle of concerts to the behind the scenes song-writing process.
The Rock Hall is known for its care and attention to special exhibits that regularly change out such as the 50 year anniversary of Rolling Stone magazine that was the subject matter in 2017. Along with a re-creation of its physical office space in New York City, the exhibit included a collage of the magazine’s covers and snippets from famous articles.
While the Rock Hall typically closes it doors at 5pm, the building lights up at night and pulses with the energy of the rock and roll rhythms that inspired I.M. Pei’s bold and eye-catching design. The internationally-acclaimed architect definitely struck the right creative chord and gifted the city of Cleveland with an iconic landmark on Rock and Roll Boulevard that visitors can enjoy as they ‘rock, rock, rock ’till broad daylight’ when the Rock Hall opens its doors again.
When the Cleveland Museum of Arts opened in 1916, the lofty vision of its founders was that it would be a place that would forever benefit the people who passed through its doors. Over 100 years later, the founders can rest easy knowing that not only is the museum one of the city’s most cherished landmarks, it is also one of Ohio’s most beloved cultural institutions, and is one of America’s most valuable art collections. Internationally, the museum is renowned for its holdings of Ancient Near Eastern, Greek and Roman art, as well as an array of eclectic modern sculptures, including a cast of Rodin’s The Thinker that is situated outside at the top of the main staircase.
Along with its gorgeous interior space, the Cleveland Museum of Art’s exterior landscape is sumptuous and pretty as a postcard. Located in the historic Wade Park district in East Cleveland, the sprawling grounds feature a peaceful lagoon and the Fine Arts Garden where many statues are displayed. Two well-known works that can be admired in this area are Night Passing the Earth to Day by Frank Jirouch and Fountain of the Waters by Chester Beach.
Heading back indoors, the beauty of the Beaux-Arts building continues to dazzle with its white marble floors and walls, and neoclassical stylistic elements. The galleries are elegant and the rotunda corridors are spacious allowing for prime viewing of central displays such as Antonio Canova’s Muse of Lyric Poetry, which the Italian master carved in 1816 and first exhibited at the Royal Academy in London.
From the torsos of Greek and Roman gods to the heads of political and military leaders, the museum’s collection of bronzes may not be large but what it lacks in quantity, it makes up with high quality pieces. Two of its masterworks are The Emperor as Philosopher (likely an imperial portrait of Roman Emperor Marcus Aurelius) and the figure of Apollo the Python-Slayer credited to Praxiteles, the 4th Century BC Greek sculptor who was the first to produce a life-size female nude.
One of the grandest installments in the Cleveland Museum of Art is the Arms and Armor room that contains tapestries, portraits, weaponry and full battle armor. Armor for Man and Horse with Vols-Colonna Arms is from Northern Italy and dates to the late 1500s. Some of its distinctive features are etched animals and other figures, and a family coat of arms that appears in seven different spots. With hundreds of medieval artifacts on display, the armor court offers a glimpse back in time to the glory days of knights and their mounts waging battle on behalf of their kingdoms and fair maidens.
One of the museum’s most popular works is Standing Mitt with Ball sculpted by Claes Oldenburg that features a massive steel and lead glove holding a ball made of wooden planks. Considering Cleveland is a baseball crazy town, this playful take on America’s favorite pastime is a fitting part of the museum’s permanent collection and proudly sits in the atrium courtyard in front of the main entrance into the galleries.
In its first century of existence, the Cleveland Museum of Art has definitely made a lasting impression on art patrons and it appears good things are in store for the museum’s next hundred years. Following a successful capital campaign to raise funds for a major renovation and expansion, the museum is poised to continue its vision of existing for the benefit of all the people forever…and ever…and ever….
After making a name for himself as a shrewd (and VERY rich!) businessman in the late 1800’s, Andrew Carnegie turned his attention from building corporate empires to championing societal causes. Carnegie spent the last 18 years of his life (from 1901 to 1919) passionately engaged in the pursuit of philanthropic efforts that included establishing libraries, universities and cultural institutions around the world, many in Pittsburgh, Pennsylvania, where Carnegie Steel Company was based. The Carnegie Museums were legacy gifts to the citizens of Pittsburgh, the vast majority whom Carnegie knew first-hand would never have the means to experience life outside of the United States, so he endeavored to bring the world to them.
Located in the historic Oakland district, the Carnegie Museum of Art was the first of its kind in the United States to be focused primarily on exhibiting contemporary works. Carnegie’s vision was to build a modern art collection consisting of the “Old Masters of tomorrow” who were the emerging artists of the day such as Vincent van Gogh, Claude Monet, Thomas Eakins, Henri Matisse, Winslow Homer and others. Today, the museum’s permanent collection consists of some 35,000 works including paintings, decorative arts, sculptures and other installations.
Along with showcasing modern works, Carnegie was keen to expose Pittsburghers to some of the world’s greatest architectural wonders from ancient, classical and medieval times. No easy task, but his quest was made easier in that the making of large scale plaster casts was all the rage during the late Victorian era, including Egyptian, Near Eastern, Greek and Roman sculptures; and building facades such as the Porch of the Maidens and the Mausoleum at Halicarnassus.
The balcony area leading into the Hall of Sculptures features numerous full scale plaster cast sculptures, as well as a variety of decorative arts dated between the 18th and 20th centuries. The interior of the hall is based on the Parthenon’s inner sanctum complete with towering columns, a carved frieze and high ceilings.
The museum’s collection of architectural plaster casts is the largest in the United States, and third largest in the world. Of the 140 pieces, two of the grandest are the West Portal of Saint-Gilles-du-Gard, a Benedictine abbey in France that was built in the Provencal Romanesque style; and the Northern Portal of the Bordeaux Cathedral that features Romanesque and Gothic design elements. In addition to building facades, the Hall of Architecture also contains elaborately carved sarcophagi and Ancient Greek and Roman statues.
While Carnegie and his team of experts were tending to the acquisition of paintings and sculptures for the new art museum between 1895-1898, archaeologists in the western United States were making some major discoveries of prehistoric dinosaur bones.
Upon hearing the news, Carnegie saw a potential opportunity to now also bring the world of natural history to Pittsburgh. He sent a hand-picked team of scientists to undertake digs in Wyoming where they were successful in finding many fossils, including one named in honor of Carnegie’s patronage, Diplodocus carnegii, that is today nicknamed “Dippy” and is proudly displayed in its natural habitat.
Dinosaur Hall was constructed in the early 1900s to showcase Dippy and the other finds from the Mesozoic Era such as Apatosaurus louisae, Tyrannosaurus rex and Triceratops, among dozens of other original fossils.
It’s been over 120 years since Andrew Carnegie first hatched his plan to bring the world to Pittsburgh. Today, the Carnegie Museums include the Carnegie Science Center and the Andy Warhol Museum, and both the Museum of Art and Museum of Natural History have undergone major upgrades and expansions in recent years to accommodate new exhibits and galleries. Without a doubt, Carnegie created a lasting legacy not only for Pittsburghers but also for legions of out-of-town and country visitors who annually descend on the city to soak up its unique heritage.
As the father of modern sculpture, Auguste Rodin was known for his incredible ability to convey a range of complex human emotions in his stunning works. Be they made of bronze, clay, marble or plaster, Rodin applied a deft touch of hand and showed his in depth understanding of the human psyche in pieces such as The Thinker, The Kiss and The Gates of Hell, to name just a few of his masterpieces on display at Musée Rodin in Paris, France.
While Rodin was trained in traditional sculpting techniques and had a healthy respect for works demonstrating high quality craftsmanship, where he differed from his contemporaries was in his fervent desire to create works that were not strictly based on myths and allegories. In Rodin’s view, figurative sculpting was too limiting and his preference was to portray the human form in a realistic manner and showcase both physical and emotional aspects that weren’t always “beautiful to behold” in the eyes of his early critics.
Even though Rodin’s unconventional style was not immediately well-received in the arts community, he remained committed to his new vision of sculpting and set about producing a prolific amount of pieces. Good things come to those wait and Rodin eventually found favor with those who had previously offered only harsh critiques. By the turn of the 20th century, Rodin was now being exalted in his native France and, thanks to his World’s Fair exhibit in Paris, his unique aesthetic was now much admired resulting in demand for his services around the globe.
Rodin’s approach to sculpting began with a mound of clay that he would quickly manipulate with his fingers to obtain an initial form and then set aside. He would tinker with the clay model until he was satisfied with its form and texture and then his assistants would create larger clay versions that would be cast in plaster, cast in bronze, or carved in marble and Rodin would apply the finishing touches. Rodin was known for requesting multiple plasters and using them as raw material for new pieces, such as The Cathedral, which he created by intertwining the right hands made from two different figures. He also had no qualms about pulling individual sculptures from a group of reliefs and turning them into stand-alone pieces such as he did with The Kiss, which was originally part of The Gates of Hell, a monumental work containing some 180 figures.
Interestingly, in the later stages of Rodin’s career, many of his “finished” works were in fact “fragments” reused from earlier statues. While many perceived them to be incomplete, such as The Walking Man that shows a partial figure (torso and legs only) in a dynamic pose, Rodin insisted they were as he intended. This new abstract way of sculpting would inspire legions of his students in his workshop and fellow artists who admired his vision.
At the time of Rodin’s death in 1917 he had completed an extraordinary number of sculptures and had rightly earned the right to be called the greatest artist of the modern era. Sheer volume of work notwithstanding, there is no denying that he pushed the boundaries of his craft and left the world with much to look at and consider.
The Musée Rodin is one of the artist’s enduring legacies and contains the largest collection of his sculptures and other paper works. Whether wandering the grounds or exploring the interior galleries, take time to think and ponder as you admire and appreciate Rodin’s immense talent.
It’s that time of year when summer turns to fall, sweaters and sneakers replace shorts and sandals, and millions of football fans are in a frenzy for the start of the new season. It’s also a time when many embark on a pilgrimage to the Pro Football Hall of Fame (HOF) in Canton, Ohio. So it was in the fall of 2017 that this Canadian fan of the American game paid a visit to the HOF’s hallowed halls and its gallery of bronze busts.
Football is a game of inches that requires its participants to possess both physical strength and mental acuity in order to achieve greatness. “Doing right” by teammates, coaches and fans is of utmost importance in evaluating a successful career, as well as demonstrating commitment, courage, respect and excellence on and off the field.
As one of first HOF inductees in 1963, George Halas embodied the game’s core values and earned his place in the annals of football history for his accomplishments as a player, coach and franchise owner. He was also one of the co-founders of the National Football League (NFL) back in the 1920s, and co-developed the T-formation offensive scheme that revolutionized the game in the late 1930s. Over the course of his storied and celebrated 60-year football career, Halas fittingly earned the nickname “Mr. Everything” and among his many honors he was a two-time NFL Coach of the Year winner. Given his myriad contributions to the game, it is little wonder that the official address of the HOF proudly bears his name.
For those familiar with the “take a knee” controversy that plagued the National Football League last season during the playing of the pre-game national anthem, it should be no surprise that the HOF came up with a flag-planting campaign to counter the negativity. Using the flag as a symbol of national unity, the HOF planted 300 of the good ol’ red, white and blue on their front lawn and shared that the goal of its “Huddle Up, America” initiative was to encourage the broader football community to come together and constructively work through issues. The garden of flags certainly made for a striking and colorful visual on the walkway to the main entrance (especially on a cloudy day), and stirred patriotic emotions even within this proud maple-loving Canuck.
The NFL will celebrate its centennial anniversary in 2020 and what a first century it has been. From the league’s earliest superstar players such as Jim Thorpe to pioneering teams such as the Canton Bulldogs and the Akron Pros, the HOF pays tribute to days gone by and highlights each decade with incredible artifacts and numerous interactive exhibits.
Be it the perfect regular season of the Miami Dolphins in 1972, the career rushing yard mark held by Emmitt Smith, or the winning ways of the league’s great dynasty teams through the decades, The Record Book exhibit celebrates the significant achievements of individual players, coaches and teams.
As a longtime fan of the Dallas Cowboys, I was delighted to see the various displays pertaining to the exploits of the team during the powerhouse 1990s. Troy Aikman was the team’s all-star quarterback and led the Cowboys to an impressive three Super Bowl championships in 1992, 1993 and 1995 with ample support from the likes of Emmitt Smith and Michael Irvin.
Aikman, Smith and Irvin are among over 30 Dallas Cowboy Hall of Famers, a group that includes coach Tom Landry, owner Jerry Jones, and players Roger Staubach, Tony Dorsett and Randy White who made their marks in earlier eras during the 1970s and 1980s.
You know you’ve made it into football glory status when your bust is cast in bronze and mounted in the HOF Gallery alongside fellow inductees.
In addition to the bronze bust, the custom-made gold jacket that inductees wear during the enshrinement ceremony (and can take away with them) is another symbol of their high performance standard.
Many deceased inductees are buried in their treasured jackets and those still living are more than happy to don them for special appearances or when conducting official NFL business matters.
Measured to fit like a glove, the jacket also features custom lining and buttons with the HOF logo, and a special label with the inductee’s name and enshrinement number. Even the toughest “big guys” of the game admit to becoming emotional upon receiving their finished jackets and joining the ranks of HOF immortality…the forever NFL brotherhood.
Located in the quiet and conservative North Shore district of Pittsburgh, Pennsylvania, there is certainly nothing quiet and conservative about the wild and wacky Andy Warhol Museum.
Indeed, the pink bannered building and pink pylon outlined parking lot that fittingly features a specially themed Brillo Box attendant booth are the first clues that this is not your regular museum. The next clues come inside with exhibits chronicling the artist’s life story beginning on the top floor and winding down into an underground conservation lab.
From his early successes with Campbell’s Soup and other brand name product paintings to his later triumphs with celebrity portraits and experimental films, all aspects of Warhol’s eccentric and exceptional career are on display making for an entertaining and enlightening viewing experience.
Before he took the New York City art scene by storm in the 1950s and 60s, Andy Warhol was a clean-cut, fresh-faced kid from Pittsburgh who discovered a penchant for drawing during his teenage years. While he originally wanted to study Art Education in university and become a teacher, he ended up changing his mind and pursued training as a commercial artist at the Carnegie Institute of Technology where his first published works appeared in Cano, the student art magazine. After earning his Fine Arts degree, Warhol moved to the Big Apple in 1949 where he found work with magazines and advertising firms.
Along with being a talented illustrator, Warhol was adept with silk-screening techniques and enjoyed making fruit and floral prints that evolved into the more abstract ‘Pop Art’ works that he is famous for such as soup cans and celebrity portraits. Early on, he was known for ink blotting and the use of tracing paper to replicate images and produce variations on the same themes. He also liked to project photographs and transform them using shading and contouring to bring out shadows and other subtleties.
Warhol started showing his work in the 1950s with some initial success in local galleries but his career really took off in the 1960s when his focus turned to iconic American objects and the cult of celebrity. At the time of his first solo exhibition in the fall of 1962, he was a creative genius to be reckoned with and was now garnering attention across the United States and beyond for his signature pop art pieces such as 100 Soup Cans, 100 Coke Bottles, 100 Dollar Bills and the Marilyn Diptych, which was created following the death of Marilyn Monroe.
Along with Marilyn Monroe, Jackie Kennedy was one of Warhol’s favorite celebrity muses in the 1960s. The unfortunate assassination of her husband, President John F. Kennedy in 1963 provided fodder for the series of Jackie silk-screen portraits he produced using a selection of newspaper images of the grieving widow.
Not one to shy away from quirky and bold exhibits, Warhol’s other early pieces included a series of supermarket boxes and and a grouping of hibiscus blooms in a range of bright colors and varying textures.
In the 1970s, Warhol’s work was mostly focused on portraits of celebrities and politicians, many of whom he sought out as patrons to support the growth of his artistic enterprise. Warhol was known to frequent the Studio 54 nightclub where he hob-knobbed with the likes of Mick Jagger, Liza Minnelli, Diana Ross and other superstar entertainers of the day.
As much as Warhol loved celebrities, he was also a devoted son and occasionally painted his mother’s portrait. The 5th Floor gallery in the museum shows his mother in good company between British actress Joan Collins and 1970s super-model Cheryl Tiegs.
Warhol’s circle of high-profile acquaintances also included controversial international political figures such as the deposed Shah of Iran and his family, and he famously created a series of Mao Tse-tung images to mark President Richard Nixon’s historic visit to China in 1972.
With new technological advances in the 1980s, Warhol experimented with creating digital art on an early version of the Commodore computer. He used The Birth of Venus by Botticelli as inspiration and succeeded in turning an Early Renaissance masterpiece into a stunning stylized modern design.
Anyone who had the privilege of visiting Warhol’s townhouse can attest to the fact that Warhol liked to collect eclectic things and display them throughout the four floors of his home. Referred to by Warhol’s friends as “Andy’s Stuff,” his collection of knickknacks was so extensive that overflow items ended up in a nearby storage unit. After his death, the museum took in an astonishing 641 boxes of personal effects that contained items ranging from cookie jars and jugs to airplane menus and supermarket flyers.
True to Warhol’s iconic and indelible image, the Andy Warhol Museum showcases all that was wild, wacky and wonderful about him. When in Pittsburgh, be sure to include a visit and check out its glorious oddities.
If the larger-than-life ketchup bottle perched on the roof of the Heinz History Center in Pittsburgh, Pennsylvania has you thinking this building only pays homage to the popular condiment, think again. The story of the Heinz family is actually just one small part of what lies inside this six-floor structure, and ketchup is just one of many discoveries and innovations attributed to residents of Pittsburgh and Western Pennsylvania. This region of the United States is well known for its prolific contributions to the realm of “World’s First” and the Heinz History Center accordingly celebrates more than ketchup in its educational exhibits.
From 1754 to 1763 much of the occupied parts of North America were battlegrounds where British, French and Native American forces were engaged in what is considered to be the world’s first global conflict, the Seven Years’ War. At the time, the population of the British American colonies vastly outnumbered the French colonies in New France, but the French had significant backing from a number of native tribes. Together, the French and their allies initially proved to be formidable foes for the likes of a young George Washington, who was just embarking on his military career as Commander of the Virginia Regiment, but the British eventually prevailed and substantially increased the breadth of their empire on North American soil. One of the most prized regions that the British and French fought over was the Forks of Ohio located at the confluence of the Allegheny and Monongahela rivers, which is now Point State Park in downtown Pittsburgh. The Clash of Empires exhibit offers life-like models, detailed maps and riveting accounts of warfare from the perspectives of all parties involved.
In the early 1800s, the western frontier of the United States was a mystery waiting to be revealed. President Thomas Jefferson was particularly keen to lay claim to the territory before Britain, France or Spain set their sights on it, so he commissioned the Corps of Discovery Expedition to be jointly led by Meriwether Lewis and William Clark. The expedition was the first of its kind to explore the American West and Pittsburgh is where the epic journey began when Lewis set sail from Mon Wharf at the headwaters of the Ohio River to meet up with Clark in St. Louis. Along with mapping the vast territory, Lewis and Clark were tasked with finding a reliable water route to the Pacific Ocean, making contact/establishing trade with Native Americans, and documenting the wealth of resources they encountered along the way. To mark the 200th anniversary of the expedition, the well known Rooney family of Pittsburgh retraced the famed western adventure and the Rediscovering Lewis & Clark exhibit shares the highlights of their journey.
Established in 1869, the H.J. Heinz Company started small with the pickling of vegetables grown in the Heinz family garden. The first Heinz product to be sold en masse was actually horseradish but by the 1900s the company had expanded significantly. Thanks to its new slogan “57 varieties,” the company now had a clever marketing tool to brand its ever-growing stable of products such as pickles, tomato ketchup, baked beans, chutney, relish, mustard and other processed foods. Heinz was adamant about using only high quality ingredients and developing innovative packaging, including the classic octagon-shaped ketchup bottle that he patented in 1890. The Heinz exhibit chronicles the company’s evolution into a global powerhouse and features an 11-foot ketchup bottle display comprised of over 400 individual bottles, displays of pickle pins and historical product packaging, as well as other family memorabilia.
Along with being a major food processing hub in the early 1900s, Pittsburgh was the birthplace of Gulf Oil that was founded and run by the Mellon family until it was sold in the 1980s to Standard Oil. The first gas station in the United States was built by Gulf Refining Company in Pittsburgh and the pumps started flowing in 1913. Until 1970 the company’s Art Deco-styled head office was the tallest building in the city and it remains one of Pittsburgh’s downtown landmarks with its distinctive step-pyramid structure at the top of the 44-story skyscraper. The Special Collections gallery features old gas pumps, hard hats, signs and other marketing materials.
Pittsburgh is known as a center of innovation. The exhibit Pittsburgh: A Tradition of Innovation showcases Western Pennsylvania’s significant contributions to the world. Be it Westinghouse Electric’s invention of alternating current, Dr. Jonas Salk’s discovery of the polio vaccine, or the creation of the smiley emoticon at Carnegie Mellon University there are dozens of shining examples of local innovations. Here are a few more:
Pittsburgh is a sports town through and through and the city has laid claim to dozens of league championships in football, hockey and baseball. The Western Pennsylvania Sports Museum located on two floors in the Heinz History Center presents some of the city’s greatest sporting moments.
As the first National Football League franchise to win six Super Bowl championships, the Pittsburgh Steelers have enjoyed tremendous success over the decades. The team’s winning ways inspired the city’s other professional franchises leading to Pittsburgh earning the designation of City of Champions.
In 2017, the Pittsburgh Penguins celebrated 50 years in the National Hockey League capped off with their fifth Stanley Cup win. Back in the 1990s, the team was led by Captain Mario Lemieux, The Magnificent One, who was an integral part of the franchise’s back-to-back league championships in 1991 and 1992. Today, Lemieux is a co-owner and is the only man to have his name on the Stanley Cup as both a player and an owner.
Along with the distinction of being the first National League participant in the first World Series in Major League Baseball, the Pittsburgh Pirates franchise is noteworthy for winning five World Series championships and hosting the first World Series night game back in 1971. While the team has had many all-star players, Roberto Clemente was the first Latin American and Caribbean player to help win a World Series as a starter, to receive a National League MVP Award, to receive the World Series MVP Award, and to be enshrined into the National Baseball Hall of Fame. Clemente was also known for his charitable work in the off-season and tragically died in a plane crash en route to delivering aid to earthquake victims in 1972.
When the first community-sponsored educational television station in the United States (WQED) began broadcasting in 1954, little did producers know that it would launch the career of Fred Rogers, aka Mister Rogers, and introduce the world to the familiar refrain of “Won’t you be my neighbor?” Mister Rogers’ Neighborhood first aired in 1968 and would become a children’s television show classic. The Special Collections gallery contains many of the show’s artifacts, as well as some 3,000 other items representing the ethnic diversity of Western Pennsylvania, its various business entities and talented local artisans.
From the first steamboat to sail westward rivers from Pittsburgh to New Orleans to the first city in the United States to host the world’s largest rubber duck, A History of Firsts created by local artist Ron Magnes is a linear representation of some of Pittsburgh’s most notable firsts in the realms of technology, the arts, business, sports, education, medicine, and entertainment. The world as we know it has been changed for the better as a result of many of these accomplishments that are explored in depth and presented with tremendous pride in the Heinz History Center.